*Kelly Jefferson – tenor sax (Toronto)
*Christine Jensen – alto sax / big band arranger (Montreal)
*Maury LaFoy – bass (Toronto)
Brian O’Kane – trumpet (Toronto)
Joel Miller – tenor sax (Montreal)
Kelsley Grant – trombone (Toronto)
Tilden Webb – piano (Vancouver)
Denzal Sinclaire – vocal, piano, drums (Vancouver)
Karen Crowe – vocal (Calgary)
Joel Haynes – drums (Toronto)
Paul Johnston - bass (Montreal)
Paul Johnston - bass (Montreal)
Ted Warren – drums (Toronto)
Dean McNeill – trumpet (Saskatoon)
Mike Rudd – guitar (Montreal)
Dan Skakun – drums (Edmonton)
John Stetch – piano (Ithaca, NY)
John Stetch – piano (Ithaca, NY)
Jim Head – guitar (Edmonton)
Ken Bibace – guitar (Montreal)
Mike Downes – bass (Toronto)
Dave Laing – drums (Montreal)
Jules Estrin – trombone (Toronto)
Jules Estrin – trombone (Toronto)
Andy Wulf – tenor sax (Japan)
Jocelyn Couture – trumpet (Montreal)
Dave Robbins – drums (Vancouver)
Dylan Van Der Schyff – drums (Vancouver)
Duncan Hopkins – bass (Toronto)
Steve Kaldestad - tenor sax (Vancouver / London, England)
Kevin Coady – drums (Toronto)
Gerry Shatford - piano (Toronto)
Aaron Doyle - trumpet (Montreal)
Jason Hunter - tenor sax (Kincardine, ON / Boston)
Koen Nys - tenor sax
Greg Amirault - guitar (Montreal)
Adam James - vocal (New York)
Steve Kaldestad - tenor sax (Vancouver / London, England)
Kevin Coady – drums (Toronto)
Gerry Shatford - piano (Toronto)
Aaron Doyle - trumpet (Montreal)
Jason Hunter - tenor sax (Kincardine, ON / Boston)
Koen Nys - tenor sax
Greg Amirault - guitar (Montreal)
Adam James - vocal (New York)
* 2011 Juno nominees
Maybe I’m biased, but to my eyes (and ears!) this list includes many of the leading players on the Canadian jazz scene today. Although I know McGill continues to produce many great jazz musicians, I speculate that 1988–92 represented a true “bumper crop” at McGill, the likes of which they, and most schools don't often see. I wonder if other schools (Canadian or American) can boast of similar lists? --- not just of successful alumni over a long period of time, but of jazz majors of a similar quality and quantity, from a four year period, who have “stayed the course” as jazz musicians, and have gone on to make their mark as creative artists. My opinion is that this was a truly special time, and I consider myself very fortunate to have played and studies along side such tremendously talented, and now accomplished individuals.
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