Monday, November 24, 2014

Birth of the Cool

This semester, the UCONN Jazz Ensemble and I prepared the music from Miles Davis' "Birth of the Cool" album.  It was a thoroughly enjoyable undertaking. I witnessed considerable growth in the individual band members as they carefully studied the album and worked to replicate the stylistic nuances of the original players.
Birth of the Cool
Miles Davis, Lee Konitz and Gerry Mulligan in rehearsal (circa 1948)
Here we are performing at the Co-Op Bookstore in Storrs Center on November 13th.

Boplicity, by Miles Davis and Gil Evans.  Arranged by Gil Evans.

On his own initiative, the bari sax player learned Gerry Mulligan's recorded solo.

Moon Dreams, by Chummy MacGregor and Johnny Mercer.  Arranged by Gil Evans.

"Moon Dreams" may be my favorite of the album's twelve charts.  It is not surprising that a critic who heard Davis' nonet perform in 1948 said "the music sounds more like that of Maurice Ravel than it does like jazz... it is not really jazz."

I love how this music stemmed from musicians' discussions about the future of jazz and drew from contemporary classical music they had heard on recordings.

Move, by Dezil Best. Arranged by John Lewis.

This performance took place earlier on Nov. 13th for the high school students at Norwich Free Academy. As a teacher, I am encouraged by the trumpet player's solo.  He is starting to incorporate some solid jazz vocabulary into his playing.  This wasn't happening a year ago. He's still working on execution at this tempo, but a year from now, if he continues on his current path, I believe he will be "a force to be reckoned with".

Deception, by Miles Davis.  Arranged by Gerry Mulligan.

This is my second time preparing music from "the Birth of the Cool".  The first time (back in 2002,) I acquired the music directly from Gerry Mulligan's widow, Franca.  The charts were a mess and full of inconsistencies, which made rehearsals difficult.  This time around I bought the published, edited music from ejazzlines.com, which made for a much more pleasant experience.

Rouge, by John Lewis.


Our final performance of the year will take place on Monday, December 1st at Black-eyed Sally's in Hartford.  The club is hosting a "College Night" where bands from UCONN, the Hartt School, WestConn and the Berklee College of Music will each play a set.  The evening will culminate with a collective jam session.




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